Vievee Francis
“Sometimes, one’s life depends upon the telling. To write is to speak, to give textual voice to, and I have found that when I speak up, just as I often find inspiration to speak through what others have said or written, I may inspire others to do the same.”
“Whether following her through the landscapes in which she’s lived or the landscapes of one’s interior, Vievee Francis’s bottomless imagination continues to surprise in Forest Primeval. Who wouldn’t follow her as ‘her eyes scan the horizon for the promise of more,’ when she offers so much more here than a turn of a phrase; these poems build a world we all want to inhabit, even when times are tough, and they recall a world we’ve survived enough to celebrate in a manner that’s both dignified and primal like “eloquent tambourines” on a Sunday morning.”
“An electrifying portrait of danger and hardship in a mostly rural-landscape in West Texas.”
“Blue-Tail Fly tells the stories of freed slaves, Vievee [Francis’] ancestors and Civil War soldiers. Now in its second printing, it was hailed as one of the best poetry books of 2006 by Poets & Writers magazine.”
Vievee Francis is the author of four books of poetry: The Shared World (Northwestern University Press, 2023); Forest Primeval (TriQuarterly Books, 2015), winner of the 2017 Kingsley Tufts Award and the Hurston Wright Legacy Award; Horse in the Dark (Northwestern University Press, 2012), winner of the Cave Canem Northwestern University Press Poetry Prize; and Blue-Tail Fly (Wayne State University Press, 2006). Forthcoming are a memoir, Ugly, and her fifth volume of poetry, Cleaning the Houses of the Dead. Her work has appeared in numerous print and online journals, textbooks, and anthologies including Poetry, Best American Poetry, spin.com, and Angles of Ascent: A Norton Anthology of Contemporary African American Poetry. Born in West Texas and raised in Metropolitan Detroit, Francis, along with composer Jonathan Berger and artist Enrico Riley, wrote the libretto for the transdisciplinary opera The Ritual of Breath. She received a 2024 Guggenheim Fellowship and the 2021 Aiken Taylor Award for Modern American Poetry. She has also been the recipient of a Rona Jaffe Award and a Kresge Fellowship. She is a Professor of English and Creative Writing at Dartmouth College.
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(c) Matthew Olzmann
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