“Ruffin’s vibrant novel reminds us that we still have a lot of work to do when it comes to a truthful reckoning with our violent past and its impact on the present day. Fiction is an ideal medium for that reckoning, and honest language matters: Indeed, a “plantation” was a slave labor camp; enslaved people fought for their own freedom; and women were resistance fighters. In telling this important, neglected history with imagination-fueled research, “The American Daughters” offers an inspiring story of people who show a way forward with their perseverance, bravery and love.”

“The American Daughters is an emotionally and intellectually captivating journey through slavery and into our future. It is a wholly unique story that challenges what we think we know of the past, truth, American history, and how we will carry what was into what will be. With fully fleshed out characters and enchanting detail, antebellum New Orleans is vivid in Ruffin’s rendering, and Ady is an unforgettable protagonist, a character who meets the crossroads of history with remarkable courage and enduring love.”

“A high adventure, a revealing history, and a chronicle of one woman’s self-realization. Ruffin also displays some of the cunning imagination and caustic wit he showed in his previous work by interspersing his narrative with imagined transcripts from the past, present, and even the future. Black women as agents—literally—of their own liberation. Who wouldn’t be inspired.”

“Ruffin, more than any of the greats I read, searches for that idea, that style, that genre we think is impossible to do well, and he makes it look easy. What he is doing in these short stories is breathtaking. They are so singular and so reliant on each other for wholeness.”

“[There are] musical structures embedded in these intimate, often playful stories. The pieces function as movements on a theme, each touching different notes and neighborhoods. A sense of controlled improvisation allows him to lay claim to his city. . . . It makes his book achingly truthful and incredibly accessible.”

“In stories chock full of New Orleanian charm, Maurice Carlos Ruffin navigates the intricacies of a region while commenting on life more generally. This auspicious debut . . . is a spitfire of a collection.”

“We Cast a Shadow asks some of the most important questions fiction can ask, and it does so with energetic and acrobatic prose, hilarious wordplay and great heart. . . . Love is at the core of this funny, beautiful novel . . . . At any moment, Ruffin can summon the kind of magic that makes you want to slow down, reread and experience the pleasure of him crystallizing an image again. . . . Read this book.”

“Stunning and audacious . . . at once a pitch-black comedy, a chilling horror story and an endlessly perceptive novel about the possible future of race in America. . . . Ruffin proves to be a master . . . a fast-paced and intricately plotted book . . . The real draw of the novel is Ruffin’s gift at creating unforgettable characters. . . . He writes with a straight face, never in love with his own cleverness—there are echoes of Ralph Ellison’s intelligent, unshowy prose. . . . There’s no doubt that We Cast a Shadow, with its sobering look at race in America, can be difficult to read, but it’s more than worth it. . . . It’s a razor-sharp debut from an urgent new voice of fiction.”