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Nikki Wallschlaeger

“If you feel pressured to be “political,” don’t do it. Your politics will find their way in even if you’re not conscious of it. Then there’s an element of surprise that has the potential to be — well, delightful. Or worst-case scenario — mortifying. As I’ve said before, sometimes poetry is a little ahead of the poet.”

 

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Wallschlaeger’s latest collection is political, personal, and timely.
Publisher's Weekly on Waterbaby
Wallschlaeger’s poems move through complex textures and varied verbal registers, from the ravines of slim, precise lyric, to lakes of reportage and not-so-speculative prose poetry, to the river of song. Waterbaby is a book for this moment, when “our soul’s bodies are half hanging out all the time;” it’s a scorching indictment as much as a drink for the scorched. The book’s “manic xennial vulnerability” and lyric genius zoom in on daily lives and details, leaving nothing and no one unseen. These far-reaching poems reveal a broad perspective and horizon where a future America can be glimpsed. Its poetry is already here.
— NPR
The writing in I Hate Telling You How I Really Feel is, by turns, thrillingly allusive and thrillingly frank.
Entropy
Poet Nikki Wallschlaeger is keen on the complex relationship between debt and domestic life. Her new book Crawlspace (Bloof Books, 2017), a series of sonnets that consciously disrupt their own formal limits, discovers the violence embedded in our most familiar structures: mortgages, meals, rooms, houses, family relationships, and language itself. Wallschlaeger’s poems feel timely, as the links between property ownership, alienated labor, and the history of black slavery in the United States (‘Greasy gangrene hamburger wrapper of a country,’ in her words) become clearer by the day. She deploys a new vocabulary for talking about the legacies of slavery and white supremacy as they manifest in daily life — a vocabulary that is as damning as it is lush, as rich with sound as it is bright with image.
Hyperallergic
In her deftly-aimed, disarmingly poised debut, Nikki Wallschlaeger leads us phrase by phrase through the many dim and brightly lit houses of our American psyche in this pitiless new century: “Hospitals. Lighted for end times. They run on glossy generators & backup generators, lights of all dream.
— Joyelle McSweeney on Houses

Nikki Wallschlaeger is the author of the full-length poetry collections Waterbaby (Copper Canyon, 2021), Houses (Horse Less Press, 2015), Crawlspace (Bloof Books, 2017), and the graphic book I Hate Telling You How I Really Feel (Bloof Books, 2019). She is also the author of an artist book called “Operation USA” through the Baltimore-based book arts group Container, a project acquired by Woodland Pattern Book Center in Milwaukee. Her work has been featured in the American Poetry Review, Kenyon Review, The Nation, Poetry, Brick, and Witness. 

In an interview with the Los Angeles Review of Books, Wallschlaeger was asked, “In Waterbaby, what are the dimensions of being lost in America?” She responded, “Patriotism. Believing that voting will solve all our national problems and knowing better. Observing how these illusions of democracy uphold what kills people regardless of its empty promises. Feeling lost among American values that don’t translate into concrete actions that last and the helplessness that comes with it. These dimensions are often existential. You have to find a way to distance yourself from feeling lost.”

She is currently a poetry editor for Protean Magazine and a visiting associate professor at Iowa Writers’ Workshop.

 

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