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Hilary Leichter

“I don’t know if you can have true comedy and true absurdism without real life-and-death tragedy… I think when you’re talking about mortality, everything is hilarious. Human existence is a comedy, because it ends.”

New york public library YOUNG LIONS FICTION AWARD FINALIST

The Center for Fiction First Novel Prize Finalist

New York Times Editor’s Choice 

 

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Leichter unveils a dazzling narrative about the limitations of time and the heartbreaking realities of grief.
Time Magazine on Terrace Story
Hilary Leichter’s bountiful Rubik’s cube of a novel...continuously shifts the reader’s prior expectations without ever feeling like a gotcha. . . .After spending the whole book reveling in Leichter’s precise language and extraordinary powers of control over the intricate narrative, it reduced me to pure emotion, tears running down my cheeks.
Vanity Fair on Terrace Story
A capacious container for our space-related concerns…Part of the pleasure of reading Terrace Story is figuring out how its peculiar architecture works…There’s both something old-fashioned about these flicks of the magic-realist wand—a touch of Kafka, a dusting of García Márquez, even a spoonful of Mary Poppins—and something distinctly of our moment…Leichter is interested in the bewitched space of narrative itself. The fable, with tidy generic conventions but stretchy moral lessons, performs a kind of magic on the novel, giving a slim work legend-like scope.
The New Yorker
A brisk, wildly imaginative first novel…Leichter keeps the narrative crisp, swift and sardonic. Temporary reads like a comic and mournful Alice in Wonderland set in the gig economy, an eerily precise portrait of ourselves in a cracked mirror.
The New York Times
If a Salvador Dali painting were reimagined as a contemporary novel, it would be Leichter’s Temporary, a trippy commentary on workplace culture and the gig economy. . . . With beautiful prose and colorful imagery, it’s a poetic tour de force.
Parade
[A] delirious and deeply humane satire. . . . Temporary has the manic, goofing energy of a lounge act.
Wall Street Journal
Leichter’s funny, absurdist debut cleverly explores a capitalist society taken to a dreamlike extreme . . . her cutting, hilarious critique of the American dream will appeal to fans of Italo Calvino.
Publisher's Weekly starred review

Hilary Leichter is the author of two novels, Terrace Story (HarperCollins, 2023) which Publisher’s Weekly, in a starred review, called “Delightful” and “deeply satisfying,” and Temporary (Coffee House Press, 2020), which was a finalist for The Center for Fiction First Novel Prize and the NYPL Young Lions Fiction Prize, and was longlisted for the PEN/Hemingway Award. Temporary was a New York Times Editors’ Choice and named a best book of 2020 by NPR, Elle, Vulture, and Publishers Weekly. Hilary’s writing has appeared in The New Yorker, Harper's, The New York Times, Conjunctions and elsewhere. Her work in Harper’s Magazine won the 2021 National Magazine Award in Fiction. She has been awarded fellowships from Yaddo, the Folger Shakespeare Library, and the New York Foundation for the Arts, and was the summer 2022 Picador Guest Professor for Literature at Leipzig University. 

Asked in an interview about puns and playfulness in her writing, Leichter responded, "I’m obsessed with moments where language fails. A misunderstood bit of language is, on some level, a failure to connect, a missed signal, a fraught and lonely signifier of the human condition. I feel a constant urge to repair this rift. To swoop into the space where human connection breaks, and muscle that space into prose."  

She lives in Brooklyn NY, and  teaches at Columbia University.

 

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