Claire Dederer
(c) Stanton J. Stephens
Claire Dederer is a memoirist, essayist, and critic. Her most recent book is the national bestseller Monsters: A Fan’s Dilemma (Knopf, 2023), a New York Times Notable Book that was named a best book of 2023 by The Washington Post, The New Yorker, Elle, Esquire, Kirkus, Electric Lit, Apple Books, Audible, The Sunday Times, Vulture, Oprah Daily, Minneapolis Star-Tribune, and Publishers Weekly. Her previous books are the critically acclaimed Love and Trouble: A Midlife Reckoning (Knopf, 2017); and Poser: My Life in Twenty-three Yoga Poses (FSG, 2010), which was a New York Times bestseller.
Dederer is a longtime contributor to The New York Times. Her essays, criticism, and reviews have also appeared in The Paris Review, The Atlantic, The Nation, Vogue, Marie Claire, Elle, Entertainment Weekly, New York Magazine, Slate, Salon, and many other publications. She began her career as the chief film critic for Seattle Weekly. She is the recipient of a Hedgebrook residency and a Lannan Foundation residency.
In an interview with Leslie Jamison in BOMB Magazine, Dederer discussed the tensions between being an artist and being a mother: “In an ideal world, it wouldn't be a tension between being a mother and making art. It would be a tension between taking care of people and making art, and taking care of people wouldn't devolve so entirely to women, to mothers. It would be something everyone did, everyone helped with.
Unfortunately, we live in a world where that is so intensely gendered. It’s like the Simone de Beauvoir quote that a woman isn't born but made. I was made into a woman by the demands of motherhood. But there is nothing inherently gendered about care. So, there's a way that the mother-and-artist conflict is a human conflict that we all have, it's just that we are trained into it as women.”
Dederer lives in Seattle.
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(c) Stanton J. Stephens
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