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Jonathan Escoffery

“I think great art often helps us examine our assumptions and that even if, ultimately, such examinations lead us back to our original, often imperfect conclusions, stories can operate as proofs for how we arrive there, which can bring us to a greater place of empathy and understanding.”

2023 Booker Prize Finalist

2020 Plimpton Prize for Fiction

2020 National Endowment for the Arts Literature Fellowship

Stegner Fellow

 

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A ravishing debut . . . There’s peacocking humor, capers, and passages of shuddering eroticism. The book feels thrillingly free . . . [Escoffery’s] stories also stress the ebullience, the possibility, that can emerge from in-betweenness.
The New Yorker
Sharp and and inventive...A fine debut that looks at the complexities of cultural identity with humor, savvy, and a rich sense of place.
Kirkus Reviews starred review for If I Survive You
An electrifying, enthralling debut about identity and belonging. Jonathan Escoffery illuminates both beauty and trauma and the ways in which so many of us Jamaicans are still looking for home within ourselves. Told with humor and clear-eyed grace, this spectacular collection introduces us to an amazing new voice.
— Nicole Dennis-Benn on If I Survive You
If I Survive You is a collection of brilliant wit, real heart, and electric humor. Jonathan Escoffery masterfully mines from his life and emerges, in this debut, as a talent not to be ignored.
— Nana Kwame Adjei-Brenyah
Jonathan Escoffery’s brilliant first book has some new things to tell us about racial identities, loneliness, and the search for love. It is so sharp-eyed and detailed that you feel that you are living through its scenes. The book is father-haunted and often very funny, and its prose is electric with intelligence. Somehow If I Survive You manages to be scary, humorous, and heartbreaking all at once. I loved this book.
— Charles Baxter

Jonathan Escoffery is the author of the critically acclaimed debut story collection If I Survive You (Farrar, Straus & Giroux), a finalist for the 2023 Booker Prize, a September 2022 IndieNext Pick, also named a Best Book of September by Amazon and Apple Books. His next book is the forthcoming novel, Play Stone Kill Bird. Both books will be published in the UK and Commonwealth by 4th Estate Books, in Canada by McClelland and Stewart, and will be published in translation in France by Albin Michel and in Germany by Piper Verlag.

Escoffery is the winner of The Paris Review’s 2020 Plimpton Prize for Fiction and is the recipient of a 2020 National Endowment for the Arts (Prose) Literature Fellowship. His story “Under the Ackee Tree” was among the trio that won the Paris Review the 2020 ASME Award for Fiction from the American Society of Magazine Editors, and was subsequently included in The Best American Magazine Writing 2020. His most recent stories have appeared in The Paris Review, Electric Literature’s Recommended Reading, Zyzzyva and American Short Fiction.

 Escoffery has taught creative writing and seminars on the writer’s life at Stanford University, the University of Minnesota, the Center for Fiction, Tin House, Writers in Progress, and at GrubStreet in Boston, where, as former staff, he founded the Boston Writers of Color Group, which currently has more than 2,000 members. He has received support and honors from Bread Loaf Writers’ Conference, the Helene Wurlitzer Foundation of New Mexico, Aspen Words, Kimbilio Fiction, the Anderson Center, and elsewhere. 

 For Writers of the World, Jonathan reflected on his love of the short story form: “I first fell in love with story’s ability to transport, to expand the borders of my reality. I recall crouching beneath my parents’ kitchen counter as a child, losing Sunday afternoons reading. That words printed between book covers could take me to far off worlds, on journeys that left me forever changed, was, to me, nothing short of magic. I also sensed perfection in the economy of these world-altering journeys; their being beautifully bound to fit in my palms. Later, I came to understand that great literature does not simply transport, but that it also helps me understand myself, and that—at its best—it helps me to better articulate my experiences and helps me further understand those of others.”

 He is a graduate of the University of Minnesota’s Creative Writing MFA Program (Fiction) and attends the University of Southern California’s Ph.D. in Creative Writing and Literature Program as a Provost Fellow. He is a 2021-2023 Wallace Stegner Fellow at Stanford University.

 

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