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Ishion Hutchinson

“I wouldn’t say I had or have an affinity for poetry—it confounded me, plagued me, yet I felt enlarged by it, for it widened the presence of all I knew and didn’t. It was love, simply, love that you have to approach the same way Faulkner said you have to approach Joyce’s Ulysses like the illiterate Baptist preacher approaches the Old Testament: with faith.”

2023 T.S. Eliot Prize Finalist

NATIONAL BOOK CRITICS CIRCLE AWARD IN POETRY

the PEN/Joyce Osterweil Award

Windham-Campbell Prize for Poetry

Whiting Award

 

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Hutchinson decolonizes the epic in this chronicle of West Indian soldiers . . . Interwoven with episodes from the life of a Jamaican schoolboy in the 1990s named Godspeed, these soldiers’ histories contribute a new chapter to the story of modern poetry.
The Washington Post on School of Instructions
[A] potent, memorializing third collection . . . Hutchinson adeptly blends time and events to create a lexically rich, glintingly lyric set of counterpoints. . . These vigorous poems are an epitaph for overlooked combatants and a way of honoring the long shadows cast by a post-colonial inheritance.
Publishers Weekly on School of Instructions
To call Ishion Hutchinson a brilliant Caribbean poet is just as silly as pigeon-holing Eavan Boland an ‘Irish poet’ or Adonis a ‘poet from Syria.’ This is simply because Hutchinson comes to us from the country called music, he stuns the reader with the sheer symphony of his sentences. I love his rage against politics (‘casting / beatitudes at the castor-oiled pimps / in Parliament; Pray for them, joyfully, / their amazing death!’) and the lyrics of childhood intimacies, of tenderness, fatherhood. To capture one of these tonalities would already have been a wonderful gift. But the fact of their abundant, generous, choral presence on these pages, tells us that we are in Hutchinson major talent. He is without a doubt one of the most gifted poets of my generation
— Ilya Kaminsky on House of Lords and Commons
Hutchinson’s lines listen to themselves, finding the next phrase, and then the next, implicit in what’s already been written down. His sound effects are exquisite: the clusters of consonants . . . and the vowels so open you could fall into them, the magisterial cresting syntax, the brilliant coupling of unlike words . . . [A] very promising book.
The New Yorker on House of Lords and Commons
Far District is a marvelous book of generous, giving poems. Not only does this collection travel through an abiding language and far-reaching imagery, but it also transports the reader to a complex psychological terrain through a basic honesty and truthfulness. The leap-frogging of borders is executed with an ease that never fails to engage the reader’s mind and body. There’s a playfulness here that’s contagious and, at times, even outrageous in its breathless insinuation through a biting clarity and directness that would have challenged The Great Sparrow. Hutchinson is a young poet who seems to journey wherever his poems take him, and the reader is blessed to accompany him.
— Yusef Komunyakaa

Ishion Hutchinson was born in Port Antonio, Jamaica. He is the author of three poetry collections, School of Instructions (Farrar, Straus & Giroux, November 2023), House of Lords and Commons (Farrar, Straus & Giroux, 2016) and Far District: Poems (Peepal Tree Press Ltd., 2010, reissue 2024 by FSG). His first book of essays, Fugitive Tilts, will be published in 2024 by Farrar, Straus & Giroux. A finalist for the L.A. Times Book Review for Poetry, Hutchinson’s other awards include a Guggenheim Fellowship, the Civitella Ranieri Writing Fellowship, the Susannah Hunnewell Prize from The Paris Review and the American Academy of Arts and Letters Award in Literature, among others. 

In an interview with the Los Angeles Review of Books, Hutchinson was asked about the role geography and migration play in his poetry: “There’s this notion in Heraclitus that geography is fate, which I more and more think is a true concept. One somehow ends up in a place unplanned, or even when planned, the way one experiences it is without preparation. In the case of the Caribbean poet, it’s an old story that, for the Caribbean poet to survive as a poet, he or she must leave the Caribbean, because there are no structures in place to support Caribbean writing. In a sense, the Caribbean poet is fated to leave.”

A 2021 recipient of the Gold Musgrave Medal by the Institute of Jamaica for “distinguished contribution in the field of Literature”, Hutchinson received a BA from the University of the West Indies, an MFA from New York University, and a PhD from the University of Utah. He is a contributing editor to the literary journals The Common and Tongue: A Journal of Writing & Art and teaches in the graduate writing program at Cornell University where he is a co-founding member of the Global Black Initiative Collective.

 

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