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Claire Dederer

“I’ve always had this essential idea of my own unacceptability or badness, and motherhood was a place where I took refuge from that. But in writing I'm confronted with it over and over again. “

New York Times Bestselling Author

 

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In a world that wants you to think less—that wants, in fact, to do your thinking for you, Monsters is that rare work, beyond a book, that reminds you of your sentience. It’s wise and bold and full of the kind of gravitas that might even rub off.
— Lisa Taddeo
Part memoir, part treatise, and all treat . . . nimble, witty . . . Her exquisitely reasoned vindication of Lolita brought tears to my eyes . . . This is a book that looks boldly down the cliff of roiling waters below and jumps right in, splashes around playfully, isn’t afraid to get wet. How refreshing.
The New York Times on Monsters
Excellent . . . A work of deep thought and self-scrutiny that honors the impossibility of the book’s mission. Dederer comes to accept her love for the art that has shaped her by facing the monstrous, its potential in herself, and the ways it can exist alongside beauty and pathos. Go ahead, she tells us, love what you love. It excuses no one.
The New Yorker on Monsters
Not only one of my favorite feminist books, but one of my favorite books of the last few years, period. . . . Exquisite. . . . So sharp and real and revelatory. . . . I loved it so, so much.
— Cheryl Strayed on Love and Trouble
The effect is to unleash a dangerously rambunctious writer on the world. … At some point I realized (epiphany!) that the promiscuities of Love and Trouble were rather heroic: a case of stomping down the temptation to tell an easier story and look pretty in the world’s eyes..
The Atlantic
Poser achieves something rare: It’s a contemporary book about yoga that doesn’t leave you squirming, suspect or bored . . . The illusion of commiseration here is really just a triumph of truth-telling, of a writer having the courage to confront her limits and sit, uncritically, in the messy present. Like a yoga pose, it doesn’t have to be perfect to be exquisite.
The Los Angeles Times
Dederer’s humor is tangy and precision-aimed; her targets are the sine qua non of memoirs: mothers and marriage. A book reviewer and social critic with bylines in the New York Times, Slate, and Vogue, Dederer acidly deconstructs hip, politically correct Seattle . . . Dederer writes superbly and offers sharp insights into family dynamics as well as hatha yoga’s impact on American life, the focus of a growing number of groundbreaking book.
Booklist on Poser

Claire Dederer is a memoirist, essayist, and critic. Her most recent book is the national bestseller Monsters: A Fan’s Dilemma (Knopf, 2023), a New York Times Notable Book that was named a best book of 2023 by The Washington Post, The New Yorker, Elle, Esquire, Kirkus, Electric Lit, Apple Books, Audible, The Sunday Times, Vulture, Oprah Daily, Minneapolis Star-Tribune, and Publishers Weekly. Her previous books are the critically acclaimed Love and Trouble: A Midlife Reckoning (Knopf, 2017); and Poser: My Life in Twenty-three Yoga Poses (FSG, 2010), which was a New York Times bestseller.

Dederer is a longtime contributor to The New York Times. Her essays, criticism, and reviews have also appeared in The Paris Review, The Atlantic, The Nation, Vogue, Marie Claire, Elle, Entertainment Weekly, New York Magazine, Slate, Salon, and many other publications. She began her career as the chief film critic for Seattle Weekly. She is the recipient of a Hedgebrook residency and a Lannan Foundation residency.

In an interview with Leslie Jamison in BOMB Magazine, Dederer discussed the tensions between being an artist and being a mother: “In an ideal world, it wouldn't be a tension between being a mother and making art. It would be a tension between taking care of people and making art, and taking care of people wouldn't devolve so entirely to women, to mothers. It would be something everyone did, everyone helped with. 

Unfortunately, we live in a world where that is so intensely gendered. It’s like the Simone de Beauvoir quote that a woman isn't born but made. I was made into a woman by the demands of motherhood. But there is nothing inherently gendered about care. So, there's a way that the mother-and-artist conflict is a human conflict that we all have, it's just that we are trained into it as women.”

Dederer lives in Seattle.

 

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